Organ SKU: CA.1804800 Composed by Friedrich Reimerdes. This edition: Pape...(+)
Organ
SKU:
CA.1804800
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Festliche
Orgelchorale 9. Organ
music based on hymns,
Easter and Eastertide.
Collection. 88 pages.
Carus Verlag #CV
18.048/00. Published by
Carus Verlag
(CA.1804800).
Book SKU: HF.FH-3870 Geigen- und Lautenmacher des Barock; Umfeld - Leb...(+)
Book
SKU:
HF.FH-3870
Geigen-
und Lautenmacher des
Barock; Umfeld - Leben -
Werk. Edited by
Fontana, Heller, and
Martius. Musikbucher. 458
pages. Friedrich
Hofmeister Musikverlag
#FH 3870. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-3870).
ISBN 9783873500525.
8.66 x 11.22
inches.
1. Zum
Leben und Werk der
Familie Hoffmann; 2.
Quellensammlung; 3. Zu
den Instrumenten von
Martin und Johann
Christian Hoffmann; 4.
Katalog; 5. Anhang.
SKU: CA.614700 Composed by Benedictus Ducis and Hermann Stern. Hymns by M...(+)
SKU: CA.614700
Composed by Benedictus
Ducis and Hermann Stern.
Hymns by Martin Luther:
Nun freut euch, lieben
Christen g'mein. German
title: Nun Freut Euch,
Lieben Christen (2).
Sacred vocal music, Hymn
settings, Easter and
Eastertide. Full score.
Carus Verlag #CV
06.147/00. Published by
Carus Verlag (CA.614700).
Composed by Joseph M. Martin. Fred Bock Publications. Reformation, Children, S...(+)
Composed by Joseph M.
Martin. Fred Bock
Publications.
Reformation, Children,
Sacred, Musicals. CD.
Fred Bock Music Company
#BGM1000T. Published by
Fred Bock Music Company
(HL.210367).
Composed by Joseph M. Martin. Fred Bock Publications. Softcover. 68 pages. Fred ...(+)
Composed by Joseph M.
Martin. Fred Bock
Publications. Softcover.
68 pages. Fred Bock Music
Company #BGM1000D.
Published by Fred Bock
Music Company
(HL.210365).
Choral (Studiotrax CD) SKU: HL.35032145 Composed by Joseph M. Martin. Sha...(+)
Choral (Studiotrax CD)
SKU: HL.35032145
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Sacred.
CD. Duration 365 seconds.
Published by Shawnee
Press (HL.35032145).
UPC: 888680737436.
5.0x5.0x0.147 inches.
Martin Luther/Joseph M.
Martin. Galatians 4:4-5,
II Timothy 1:9-10, John
14:26-31, Psalm
98:1-3.
Written in
commemoration for the
500th anniversary of the
Protestant Reformation,
this special commission
takes the words of Martin
Luther and delivers them
with music of scope and
power. A significant
instrumental flourish
opens the piece, setting
the stage for an
energetic theme that
combines traditional
style with a more modern
rhythmic vocabulary.
Episodic sections reflect
the rise of this
significant text which
articulates the story of
redemption. Score and
Parts (tpt 1-2, hn, tbn,
tba, timp) available as a
digital download.
St. Martin's Suite Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0920404-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0920404-010
Composed by Jan Van der
Roost. Inspiration
Series. Set (Score &
Parts). Composed 1992. De
Haske Publications #DHP
0920404-010. Published by
De Haske Publications
(BT.DHP-0920404-010).
This suite was
composed by Jan Van der
Roost on the occasion of
the 110th anniversary of
the ‘Koninklijke
Sint
Martinusfanfare’
(Royal Saint Martinus
Fanfare Band) from Halle
(Belgium). The composer
was required to create a
suite in three movements
based on three images
associated with the
‘Sint
Martinusfanfare’
from the small town of
Halle in the province of
Brabant. The first
movement (Andante
Pomposo) describes
Martin, a soldier in the
Roman army. In Andante
Moderato we see the image
of Martin, who become a
Christian and chooses to
devote his life to God.
In this movement, the
composer was inspired by
the Brabantine gothic art
of the Sint Martinus
Basilica in Halle.
Thecontrast between the
dark Basilica and the
statue of Our Lady
between the soaring
pillars will vividly come
to life for audiences of
this descriptive piece.
The final movement,
Allegro Molto
Vivace’, could
have been an image for a
frivolous peasant in the
Halle carnival. In a
triptych about St. Martin
it is more fitting to
refer to it as an
apotheosis, the crown on
the pastoral work of
Martin, Bishop of Tours,
Patron Saint of the
Fanfare Band and the
Basilica of Halle.
Jan Van der Roost
komponierte diese Suite
anlässlich des 110.
Geburtstages der
Koninklijke Sint
Martinusfanfare aus Halle
(Brabant). Auftrag des
Komponisten was es, ein
dreisätziges Werk zu
schreiben, dessen
einzelne bildhafte Teile
einen Bezug zur Sint
Martinusfanfare
herstellen sollten. Der
erste Satz, ein Andante
Pomposo, beschreibt
Martin, Soldat im
römischen Heer. Das
darauffolgende Andante
Moderato zeichnet ein
Bild von Martin, der sich
zum Christentum bekehrt
und sein Leben Gott
widmen möchte. In
diesem Satz ließ sich
derKomponist von der
brabantischen Gotik der
Sint Martinus Basiliek in
Halle inspirieren. Der
Kontrast zwischen der
dunklen Basilika und der
von hoch emporstrebenden
Pfeilern umgebenen,
strahlenden Statue der
Mutter Gottes wird für
den Zuhörer in
diesemausdrucksvollen
Bild leicht
nachvollziehbar. Der
Schlusssatz, ein Allegro
Molto Vivace, hätte
die musikalische
Beschreibung eines
ausgelassenen
Bauerntanzes während
des Karnevalsumzugs in
Halle sein können. In
einem dem Heiligen Martin
gewidmeten Triptychon ist
es jedoch angemessener,
in einerApotheose darauf
zu verweisen, als
Krönung des pastoralen
Wirkens des Heiligen
Martin, Bischof von
Tours, Schutzheiliger des
Auftraggebers und Stifter
der Basilika in
Halle.
Fanfare Band - Grade 4 SKU: BT.DHP-0920404-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0920404-020
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 1992. De Haske
Publications #DHP
0920404-020. Published by
De Haske Publications
(BT.DHP-0920404-020).
This suite was
composed by Jan Van der
Roost on the occasion of
the 110th anniversary of
the ‘Koninklijke
Sint
Martinusfanfare’
(Royal Saint Martinus
Fanfare Band) from Halle
(Belgium). The composer
was required to create a
suite in three movements
based on three images
associated with the
‘Sint
Martinusfanfare’
from the small town of
Halle in the province of
Brabant. The first
movement (Andante
Pomposo) describes
Martin, a soldier in the
Roman army. In Andante
Moderato we see the image
of Martin, who become a
Christian and chooses to
devote his life to God.
In this movement, the
composer was inspired by
the Brabantine gothic art
of the Sint Martinus
Basilica in Halle.
Thecontrast between the
dark Basilica and the
statue of Our Lady
between the soaring
pillars will vividly come
to life for audiences of
this descriptive piece.
The final movement,
Allegro Molto
Vivace’, could
have been an image for a
frivolous peasant in the
Halle carnival. In a
triptych about St. Martin
it is more fitting to
refer to it as an
apotheosis, the crown on
the pastoral work of
Martin, Bishop of Tours,
Patron Saint of the
Fanfare Band and the
Basilica of Halle.
Jan Van der Roost
komponierte diese Suite
anlässlich des 110.
Geburtstages der
Koninklijke Sint
Martinusfanfare aus Halle
(Brabant). Auftrag des
Komponisten was es, ein
dreisätziges Werk zu
schreiben, dessen
einzelne bildhafte Teile
einen Bezug zur Sint
Martinusfanfare
herstellen sollten. Der
erste Satz, ein Andante
Pomposo, beschreibt
Martin, Soldat im
römischen Heer. Das
darauffolgende Andante
Moderato zeichnet ein
Bild von Martin, der sich
zum Christentum bekehrt
und sein Leben Gott
widmen möchte. In
diesem Satz ließ sich
derKomponist von der
brabantischen Gotik der
Sint Martinus Basiliek in
Halle inspirieren. Der
Kontrast zwischen der
dunklen Basilika und der
von hoch emporstrebenden
Pfeilern umgebenen,
strahlenden Statue der
Mutter Gottes wird für
den Zuhörer in
diesemausdrucksvollen
Bild leicht
nachvollziehbar. Der
Schlusssatz, ein Allegro
Molto Vivace, hätte
die musikalische
Beschreibung eines
ausgelassenen
Bauerntanzes während
des Karnevalsumzugs in
Halle sein können. In
einem dem Heiligen Martin
gewidmeten Triptychon ist
es jedoch angemessener,
in einerApotheose darauf
zu verweisen, als
Krönung des pastoralen
Wirkens des Heiligen
Martin, Bischof von
Tours, Schutzheiliger des
Auftraggebers und Stifter
der Basilika in
Halle.
SKU: CA.612600 Composed by Erhard Bodenschatz and Michael Praetorius. Hym...(+)
SKU: CA.612600
Composed by Erhard
Bodenschatz and Michael
Praetorius. Hymns by
Martin Luther: Jesus
Christus, unser Heiland,
der den Tod uberwand.
German title: Jesus
Christus, Unser Heiland
(2). Sacred vocal music,
Easter and Eastertide,
Praise and thanks. Full
score. Carus Verlag #CV
06.126/00. Published by
Carus Verlag (CA.612600).
(Oratorio in Three Parts). By George Frideric Handel (1685-1759). Edited by Coli...(+)
(Oratorio in Three
Parts). By George
Frideric Handel
(1685-1759). Edited by
Colin Timms. Arranged by
Martin Focke. For Soprano
Solo, 2 Mezzo-Soprano
Solo, Alto Solo, Tenor
Solo, Bass Solo, 2 Mixed
Choir, Orchestra.
Hallische Handel-Ausgabe.
Serie I, Band 29. Piano
Reduction/Vocal Score;
Urtext Edition; Complete
Edition (paperbound). HWV
68. Published by
Baerenreiter Verlag
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-27. Published by
Breitkopf and Haertel
(BR.OB-5364-27).
ISBN
9790004337424. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
12 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-15. Published by
Breitkopf and Haertel
(BR.OB-5364-15).
ISBN
9790004337387. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Part. 8 pages.
Duration 12'. Breitkopf
and Haertel #OB 5364-23.
Published by Breitkopf
and Haertel
(BR.OB-5364-23).
ISBN
9790004337417. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
12 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-16. Published by
Breitkopf and Haertel
(BR.OB-5364-16).
ISBN
9790004337394. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-19. Published by
Breitkopf and Haertel
(BR.OB-5364-19).
ISBN
9790004337400. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Set
of parts. 56 pages.
Duration 12'. Breitkopf
and Haertel #OB 5364-30.
Published by Breitkopf
and Haertel
(BR.OB-5364-30).
ISBN
9790004337431. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Hans Christian
Schmidt. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Full score. 72
pages. Duration 12'.
Breitkopf and Haertel #PB
5364. Published by
Breitkopf and Haertel
(BR.PB-5364).
ISBN
9790004211458. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
SATB choir, 4 brass in SATB-form (4 recorder), organ - Level 3 SKU: CA.103350...(+)
SATB choir, 4 brass in
SATB-form (4 recorder),
organ - Level 3
SKU:
CA.1033505
Composed
by Martin Luther and Paul
Horn. Hymns by Martin
Luther: Nun freut euch,
lieben Christen g'mein.
German title: Nun freut
euch, lieben Christen
gmein. Sacred vocal
music, Cantatas, Hymn
settings, Easter and
Eastertide. Choral Score.
4 pages. Duration 2
minutes. Carus Verlag #CV
10.335/05. Published by
Carus Verlag
(CA.1033505).
ISBN
9790007024826. Key: F
major. Language: German.
Text: Luther, Martin.
Text: Martin
Luther.
SATB choir, 4 brass in SATB-form (4 recorder), organ - Level 3 SKU: CA.103350...(+)
SATB choir, 4 brass in
SATB-form (4 recorder),
organ - Level 3
SKU:
CA.1033500
Composed
by Martin Luther and Paul
Horn. Hymns by Martin
Luther: Nun freut euch,
lieben Christen g'mein.
German title: Nun freut
euch, lieben Christen
gmein. Sacred vocal
music, Cantatas, Hymn
settings, Easter and
Eastertide. Full score. 8
pages. Duration 2
minutes. Carus Verlag #CV
10.335/00. Published by
Carus Verlag
(CA.1033500).
ISBN
9790007024819. Key: F
major. Language: German.
Text: Luther, Martin.
Text: Martin
Luther.
SAM choir SKU: CA.605800 Composed by Michael Praetorius. Hymns by Martin ...(+)
SAM choir
SKU:
CA.605800
Composed by
Michael Praetorius. Hymns
by Martin Luther: Nun
freut euch, lieben
Christen g'mein. German
title: Nun freut euch,
lieben Christen gmei.
Sacred vocal music,
Easter and Eastertide.
Full score. Composed
1610. Carus Verlag #CV
06.058/00. Published by
Carus Verlag (CA.605800).
ISBN 9790007010140.
Key: F major. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
SSAATBarB choir, tambourine ad lib. SKU: CA.743700 Composed by Stefan Van...(+)
SSAATBarB choir,
tambourine ad lib.
SKU: CA.743700
Composed by Stefan
Vanselow. Hymns by Martin
Luther: Nun freut euch,
lieben Christen g'mein;
Carus sheet music series:
Contemporary choral
music. Nun Freut Euch,
Liebe Christen Gimein.
Sacred vocal music, Hymn
settings, Advent,
Christmas. Full score. 20
pages. Duration 5
minutes. Carus Verlag #CV
07.437/00. Published by
Carus Verlag (CA.743700).
ISBN 9790007181802.
Language: German. Text:
Luther, Martin. Text:
Martin Luther.
For
the 500th anniversary of
the Reformation a
collection of all 35
hymns by Luther is being
released on a double CD
for the first time (Carus
83.469). The recorded
choral pieces, chorale
cantatas and chorale
settings come from six
centuries and cover a
wide stylistic range.
This piece was specially
written for this
collection.
SKU: CA.1290100 Composed by Various. Edited by Gunther Kretzschmar. This ...(+)
SKU: CA.1290100
Composed by Various.
Edited by Gunther
Kretzschmar. This
edition: Paperbound.
Choral collections for
children's choir; Hymns
by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. Musik fur
Gottesdienst, Spiel und
Fest. Psalms, German,
Songs for children,
Secular choral music,
Special days, Ascension,
New year, Easter and
Eastertide, Whitsun,
Reformation day, Praise
and thanks, Morning,
midday, evening.
Collection. Composed
1992-96. 160 pages. Carus
Verlag #CV 12.901/00.
Published by Carus Verlag
(CA.1290100).
SKU: HL.1596 Reference. Guitar Reference. Softcover. 252 pages. Published...(+)
SKU: HL.1596
Reference. Guitar
Reference. Softcover. 252
pages. Published by
Centerstream Publications
(HL.1596).
ISBN
9781574242799. UPC:
884088651954. 7x11
inches.
The Martin
is considered the finest
acoustic guitar in the
world, a distinction it
has held for more that
160 years. Martin guitars
have been played by
performers Eric Clapton,
Stephen Stills, Judy
Collins, and Johnny Cash,
as well as hundreds of
thousands of other
professional and amateur
musicians. In C.F.
Martin and His Guitars,
1796-1873, Philip
Gura chronicles the
career of Christian
Frederick Martin from his
humble start as an
importer and repairman of
musical instruments in
New York City in the
1830s through his move to
Nazareth, Pennsylvania,
and the founding of C.F.
Martin & Company. Gura is
the first historian to
thoroughly study the
Martin company records
dating back to the 1830s:
Letters, account books,
inventories, and other
documents. Using this
rich archive, Gura
establishes how a German
immigrant from Saxony's
guild tradition became
the finest American
guitar maker of his time
and created a uniquely
American business that
successfully eclipsed its
competition.
As
Gura shows, Martin's
success was based on his
successful navigation of
the rapid economic
expansion and
industrialization of his
time. The many sketches
and hundreds of
photographs illustrate
how Martin adapted his
artisanal craft to modern
industrial methods,
maintaining quality while
meeting increased demand
for instruments. Gura
traces the network of
suppliers who provided
Martin with his raw
materials and explores
the advertising and other
methods Martin employed
to build a market for his
goods. After Martin's
death in 1873, the
company continued to
grow. It thrives today
under the leadership of a
sixth-generation Martin,
producing instruments
that are still the most
sought after and
collectable in the world.
Includes an 80-page color
section!
